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Oklahoma – Lola reviews

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gabbs

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Local theatre reviewer, Lola, reviews Oklahoma! 

“Bookham Light Opera Society chose wisely in offering Rodgers and Hammerstein’s first musical collaboration for their Nomad theatre production this year. With plenty of well known songs and opportunity for lively dances they were surely on to a winner.

The well organised set, together with the effective lighting and well designed costumes effectively established the scene of 1906 Oklahoma. The musicians led by James ‘Mr Music’ Marr underpinned the action perfectly and must take their share of the credit for an engaging production.

oklahoma review BLOS curly laurey

The casting was spot on, Melanie Kemp portrayed Laurey as both strong minded and vulnerable when the characterisation required it. Her singing raised the quality of the production. Michael Ayres‘ Curly was an interesting mixture of introspection and confidence in particular at the social where he shows his determination to win Laurey’s affections.

 

oklahoma review BLOS curly jud

I was much taken by John Beavis’ Jud. Slow and menacing, he is in contrast to the the more romantic things going on around him. John carried off the role wonderfully well. Joanne Silcox as Aunt Eller and Vykki Mash as Gertie both looked to be enjoying their roles as did Julian Warner-Edney (Will), and Colin Barnard (the ranch owner), and added to the gaiety of the show by the exuberance of their singing and dancing. A word for the ‘dream’ ballet sequence, Matt Gardner and Laura Thomson showed dancing ability and poise not always seen at the Nomad theatre.

oklahoma review BLOS laurey curley dream ballet

Richard Peachey again showed his gift for comedy in his portrayal of Ali Hakim whilst Sophie Johnstone almost stole the show with the consistentcy of energy and vigour in her scenes.

 

oklahoma review BLOS laurey ado annie

There are several set pieces in Oklahoma! that drive the story along: the principals have their songs, the dances are important to the entertainment and the plot must of course be made clear to the audience. Yet the running time of over two and a half hours was a tad long, maybe some judicious cutting might have been made without diminishing the enjoyment of the story.

Overall a competent production with fine singing and movement. I cannot finish this review without a word for Sid Dolbear‘s magnificent ‘tache which almost acted his eyebrows off the stage!”

Lola

Oklahoma! by Richard Rodgers and Oscar Hammerstein II

In association with Bookham Light Operatic Society Facebook Link
Directed by Jackie Shearer

oklahoma review BLOS ali hakim

 See more reviews here: Review pages

The post Oklahoma – Lola reviews appeared first on Nomad Theatre.


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